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Fleming puts witty, whimsical freshness in bronze artworks.
Recent Works by Frank Fleming , Monty Stabler Galleries , Through
Dec. 28.
Welcome
to the gentle fantasy world according to Frank Fleming. Working
in bronze, Fleming creates a kind of Dr. Doolittle island of creatures
that get along together in a peaceable kingdom of loving harmony.
There are rabbits of various sizes, one as big as a wild boar, collared
and passive, another huddled to the floor as if hoping for total
anonymity. We see a graduated scale of three tortoises, each on
the back of another, topped by a frog holding an umbrella in a ponderously
amusing circus act. A beautifully realized "fishing dog" sits, holding
a pole and line with a catfish. Another assemblage has a frog supporting
an orb with a smaller frog sitting on top. And there is the stacking
of four rabbits with a twig topped by a bird.
Omen-laden whimsy is reflected in such pieces as a penguin holding
a stick with a goat head and a lizard holding a stick with a bird
perched on top. Fig leaf wreaths and a bird house in a fig tree
are a reference to bounty. A squirrel perched on a twig and an owl
on a twig topped with antlers project a sense of watchful security.
Frogs and lizards cling to the walls in lazy satisfaction. A collection
of small objects, from winged frogs to fruits, vegetables and flowers,
populates the gallery with humor and delicate charm.
Two
works are classic examples of the fairy-tale world of Fleming. With
bodies that suggest human form, one has the head of a dog and the
other the head of a catfish. They stand upright, guardians of make-believe,
casting an aura of protective power over the entire room of capricious
critters.
Through
an exacting imitation of reality, Fleming brings a witty freshness
to nature that delights the spectator. His work does not end but
begins with cognitive image. His child-like juxtapositions and quirky
associations of the familiar become essays on archetypal relationships
founded on innocence and a love of all things in nature.
James
Nelson , Birmingham News , 12/22/2002
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